I have recently begun exploring ceramics, connecting its history to cultural mobility, colonization, and transnational trade.

For example, blue-and-white porcelain pigments came from the Middle East, leading traditional Chinese motifs to incorporate Islamic elements and evolve into localized variations. Seeing a human-shaped wine pot in a Krakow museum, I was struck by its observation of life and its optimistic message. I have also explored local folk crafts, which use a similar blue to Chinese celadon but in a very different style.

I now aim to create a series of tableware that imagines ceramics through my own artistic lens.