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Step into an immersive exhibition where dreams and reality gently converge. Through fluid watercolor brushstrokes and an intuitive visual language, Yulong dissolves the boundaries between the tangible and the ethereal. Abstract yet lyrical, the works invite viewers into a space of imagination, uncertainty, and quiet wonder, encouraging an embrace of what cannot be fully defined.
At the core of the exhibition is Yulong’s sensitivity to process and transition. Drawing inspiration from the fleeting moments between watercolor drying on paper and clay solidifying in the kiln, Yulong transforms impermanence into a poetic methodology. In the stillness of countless nights, techniques rooted in early training in Chinese painting resurface, shaping abstract reflections on life, the universe, dreams, and the subconscious.
Over the past two years, Yulong’s practice has expanded into ceramics, introducing a tactile dimension to abstraction. Clay gives physical form to time, memory, and wandering thought, allowing ideas to exist simultaneously as object and metaphor. Throughout the exhibition, the moon appears as a silent witness, an ever-present symbol of observation and rhythm, casting its quiet glow over a body of work that bridges inner worlds and material reality.
LOVE LOVE, Solo Exhibition
Supported by Guihu Art Museum
Step into an immersive exhibition where dreams and reality gently converge. Through fluid watercolor brushstrokes and an intuitive visual language, Yulong dissolves the boundaries between the tangible and the ethereal. Abstract yet lyrical, the works invite viewers into a space of imagination, uncertainty, and quiet wonder, encouraging an embrace of what cannot be fully defined.
At the core of the exhibition is Yulong’s sensitivity to process and transition. Drawing inspiration from the fleeting moments between watercolor drying on paper and clay solidifying in the kiln, Yulong transforms impermanence into a poetic methodology. In the stillness of countless nights, techniques rooted in early training in Chinese painting resurface, shaping abstract reflections on life, the universe, dreams, and the subconscious.
Over the past two years, Yulong’s practice has expanded into ceramics, introducing a tactile dimension to abstraction. Clay gives physical form to time, memory, and wandering thought, allowing ideas to exist simultaneously as object and metaphor. Throughout the exhibition, the moon appears as a silent witness, an ever-present symbol of observation and rhythm, casting its quiet glow over a body of work that bridges inner worlds and material reality.
LOVE LOVE, Solo Exhibition
Supported by Guihu Art Museum